Performance psychology, Sports Psychology

The Pull of Motivation

Most have considered their personal notion of great human achievements. And I am certain there are clusters of agreement around specific events. Depending on interests and culture, groups can sit around the circle and recall with wide-eyed wonder the greatness of an experience or event. Today I would like to offer one for consideration: Alex Honnold’s free solo climb of El Capitan in Yosemite.

In June of 2017, Honnold made the nearly 3000-foot ascent in just under 4 hours—without a rope. No safety nets, just him and what climbers consider the most daunting face of granite on earth. This feat, captured in the documentary, Free Solo, is something to behold. Just hearing about it is not enough. To see some aspect of the climb makes the jaw drop and the inevitable “Why?” sighs from an open mouth.

But this is the pivot point of motivation. The question of, “Why?” There are only a few deep sources of motivation as it is fundamental to life. To live without some sense of principled motivation is to embrace entropy, a slow death spiral, or to place the digestive system at the pinnacle of effort. The pure moments described as flow or peak experiences are the essence of the feeling of “being alive.”

Honnold’s ascent, to me, represents a string of perfect moments in flow, a linked crescendo of peak experiences. How many and how long? It’s impossible to quantify, for in these experiences time disappears. The climber and the climb become one, as do granite and flesh.

green pine trees in front of a rock mountain
Photo by André Cook on Pexels.com

The documentary, Free Solo, comes at the event from a few angles to dig into Honnold’s persona and create cinematic tension, an arc to an amazing story. This is where we go above the field of play, in this case over a half-mile of steep granite. The backdrop of Honnold’s life, family, friendships, and his significant other makes for a good story, but in no way touches the “why?” Honnold attempts to explain the pull of motivation of such a momentous task, but it remains for the most part indescribable.

It doesn’t matter that on film Honnold comes across a quirky, at times insensitive (even to fear and death), awkward in love and relating, and a host of other adjectives that, also, do not matter. For the true depth of his motivation remains unplumbed by what is recorded on film. Only he knows the “feel”, the emotion that motivates for he is the first and the only. This probing into character will not reveal the essence of Honnold’s motivation or ability. Unfortunately it is a sign of the times that we seek simple formulas for excellence, and attempt to codify a process that is complex and becomes a part of the fabric of one’s being…

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It’s no secret that one of the stars of the event, the documentary, and the personal quest is Death. And it hovers ever so close, on some level, a feel quite like the curiosity of passing the scene of a gruesome accident. Death is imminent and present in every move along the climb, and in every nub, nook and cranny of El Capitan. And for those (which is over 7+ billion and counting) who do not have Honnold’s sublime gift, Death would be the last acknowledgement before the credits roll…

Motivation’s pull is an agreement with a vision, one that comes from deep within, at first formless just as the infinite from which we come. Over time, the vision takes form, but it is the feel that gives rise to power. Like opposite poles of a magnet the pull is real, and its ample force is felt in trying to deny the connection. Honnold’s ascent seems fueled by such a pull. A thing of art and beauty, wonderfully defying odds and logic—for his logic was a personal one.

But, we all can feel the pull on some level, in some space. And that is the point of aspirations and of being alive. To give birth, to raise a child. To comfort a friend. To bury a loved one with grace when your heart is broken. To love another fully and completely. To do good work. To play. To forgive flaws and trespasses. To get up off the floor one more time. To play a sublime melody and a melody sublimely. To listen with a beginner’s mind…

All of these could make someone somewhere sigh, Why? How? For Honnold, I imagine it was El Capitan whispering in his ear, Why? How? All the while offering subtle clues along the razor’s edge that is being and non-being. For a little under 4 hours he reminded us what it means to be fully committed to a vision, and that being fully alive acknowledges the brackets of time, markers we submit to in moments of clarity, despair, and awe.